From his website:
Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-11 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University , a Creative Vision award from NUVO in May of 2007, a top ten CD release of 2009 (Dec 09) in JAZZIZ magazine for "An Old Soul," and a top 100 CD of the decade (Jan 10) in Downbeat magazine for the Buselli/Wallarab release of "Basically Baker"
Buselli has over forty arrangements published for big bands, brass ensemble, and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels.He has written/arranged/performed for numerous artists.
Buselli currently serves as Education Director of the Buselli-Wallarab Jazz Orchestra in Indianapolis where he has created numerous educational opportunities for over ten thousand students. He is sponsored as an endorsing performing artist by CarolBrass. Mark graduated from the Berklee School of Music in Boston and received his MM in Jazz studies from Indiana University. While at Indiana he was awarded a Performers Certificate.
From her website:
Grammy award winning saxophonist Lauren Sevian has been performing professionally since the age of 12, first on the piano, then on the saxophone. At the age of 16 she won the Count Basie Invitational soloing competition, which led to a feature performance with the Basie Band. By the age of 17 she had already performed at Carnegie Hall, Lincoln Center, & the Village Vanguard.
In the fall of 1997, Lauren came to NYC to attend the prestigious Manhattan School of Music where she studied privately with Mark Turner, Donny McCaslin, Steve Slagle, Joe Temperley, and Mike Abene. Upon entering her senior year of college, Lauren was given the chance to go on tour with the critically acclaimed big band Diva. After returning from the Diva tour, Lauren returned to MSM and graduated in the spring of 2001 with a bachelor of music degree.
Some highlights of Sevian’s career: in 2003 she became a regular member of the Mingus Big Band and has performed with them throughout the US and internationally; she was in the movie Mona Lisa Smile which starred Julia Roberts; in 2006 she recorded with Greg Osby for Joan Osbourne’s “Breakfast in Bed”; in 2007 she performed Charles Mingus’ “Epitaph” with the Mingus Epitaph Orchestra in several concert halls across the US; in the summer of 2007, she joined the Litchfield Jazz Camp faculty as a teaching artist; in 2008 she was invited to adjudicate & perform at the Monterey Jazz Festival’s “Next Generation” Festival, where she performed with Christian McBride, Terry-Lynn Carrington, George Duke, Billy Harper, Ron Westray, and many others. In 2009, 2010, & 2011 she toured with the Rescue Me Comedy Tour featuring Dennis Leary and appears in the Comedy Central special “Douchebags & Donuts”. In October 2009 she was invited to perform as a special guest in Ireland and with the Nikki Iles Quintet at the Guinness Cork Jazz Festival. In 2009 & 2010 she toured France with the Black Rock Coalition Orchestra led by songstress Tamar-kali. In 2012 she had the pleasure of performing with vocalist Jane Monheit as part of the group “Jane Monheit and the Ladies of Jazz” assembled by promoter Mike Gow, and performed with Christian McBride’s Big Band, backing up artists such as Maceo Parker and Fred Wesley. She has received numerous awards throughout the years, nominated from 2008-present for the Downbeat Critics Poll “rising star” baritone saxophone, a SESAC jazz award for “Blueprint”, and is now a Grammy award winner for the Mingus Big Band’s “Live at the Jazz Standard.” (2011)
Lauren has two quartets, the “LSQ” (bari, piano, bass & drums) & the “Eb Quartet” (bari, alto, bass, & drums). Musicians that have performed in either group include: George Colligan, Helen Sung, Adam Burnbaum, Boris Kozlov, Brad Jones, Marcos Varela, Johnathan Blake, Jeff Davis, E.J. Strickland, Curtis Torian, & Mike DiRubbo. Another recent project is the “Buffet Sax trio” which was put together by Buffet-Crampon USA, featuring Lauren, Jacob Yoffee (tenor), and Russell Kirk (alto) as the front line. She has performed as a leader at clubs such as the Kitano, Smoke, Jazz Gallery, Mattatuck Museum, and Fat Cat. The “LSQ”, released “Blueprint” in December 2008 on Greg Osby’s label Inner Circle Music. “Blueprint” spent many weeks in the top 20 on the Jazzweek chart, and has also been included in numerous best of 2009 lists, receiving a national performance activity award from SESAC in 2010, “best of 2009” list by All About Jazz, and received rave reviews by DownBeat, Cadence Magazine, Amazon, and All About Jazz. She has also done countless radio interviews following the release of Blueprint. Other publications she has been featured in: Saxophone Journal, The Sax (Japan), Hothouse, Jazz Inside, Boston Globe, Newsday, allaboutjazz.com, bestsaxophonewebsiteever.com, montereyjazzfest.org, soufflez.net, and George Colligan’s “Jazz Truth”.
In addition to performing, Ms. Sevian is a teacher, clinician, conductor, and adjudicator. Highlights include the summer of 2007, she joined the Litchfield Jazz Camp faculty as a teaching artist. In April 2008 she was invited to adjudicate & perform at the Monterey Jazz Festival’s “Next Generation” Festival. In 2011 she was the guest artist/conductor for the Westchester All-County Jazz Ensemble. In 2012, she was a featured artist & adjudicator with the UMSL (University of Missouri St. Louis) jazz ensemble as part of the Greater St. Louis Jazz Festival, and at Utah State Univeristy as a guest artist and instructor. As an artist for Buffet-Crampon she has given numerous clinics & performances around the country, most recently at the JEN conference in New Orleans, and at Saxquest in St. Louis, MO. She has also taught at New School and teaches for the Brooklyn Conservatory’s “Music Partners”.
Lauren Sevian endorses Buffet-Crampon saxophones, RPC mouthpieces, and Rico Reeds.
From his website:
A spectacular trumpeter with a very wide range, a beautiful tone, and the ability to blend together many influences into his own style, Byron Stripling is also the artistic director of the Columbus Jazz Orchestra, leader of his own quartet, and constantly in demand to play with pops orchestras around the world. Byron is an extroverted performer who brings the audience into his music. The happiness that he exudes through his trumpet, his vocals and his words is reminiscent of Louis Armstrong yet very much his own.
Byron Stripling was born in Atlanta, the son of a classical singer. “I heard gospel music in church early on. In our house, music was essential to everything. My father loved jazz including Miles Davis, Clark Terry and Louis Armstrong. My brother played clarinet and sax and I played trumpet, starting when I was ten or eleven. I did a lot of singing from the start because, when your father is the choir director, you have to sing whatever he needs each Sunday.” Due to his father's work, Byron's youth was spent in several locations including Atlanta, Kentucky, Colorado, Minnesota, St. Louis and Texas.
Originally Byron enrolled at the Eastman School Of Music with plans to become a classical trumpeter. “I loved classical music but my heart kept on going to Clifford Brown, Lee Morgan and Kenny Dorham.” Already very technically skilled, he met Clark Terry during his freshman year and, after Terry heard him play, he asked Byron to join his big band. The 12-week tour was Byron's first trip to Europe and he had the opportunity to start friendships with such players as Branford Marsalis and Conrad Herwig.
After returning to school, he was three months away from graduation when he realized that he would graduate with no gig. Byron called Clark Terry and asked what he should do now. “Clark called me back a short time later, said that he had talked to Lionel Hampton, and that Lionel wanted to offer me a job. The problem was that Lionel wanted me to join the band right then. I jumped at the chance and never went back to getting my degree. Performing was the most important thing for me.” It ended up being a very good move, starting Byron Stripling in the music business.
During his year with Hampton, Byron was featured each night, usually on “When You're Smiling.” “He told me to play simple for him and he pushed me a lot in the direction of Louis Armstrong, whose music I loved anyway.” Next was a stint with the Woody Herman Orchestra and then in 1985, the trumpeter joined the Count Basie Orchestra, playing with the band on and off for four years during the periods when it was led by Thad Jones and Frank Foster. During a few months Dizzy Gillespie and Billy Eckstine toured with the band. He also had opportunities to play with orchestras led by Gillespie and Buck Clayton. Byron proved to be both a superb lead player and a colorful soloist who was quickly learning how to excite audiences.
In 1988, after auditions were held all over the country, Byron Stripling was picked to play the lead in the musical Satchmo: America's Musical Legend. After opening in New Orleans, the show played in Atlanta, The Kennedy Center and North Carolina before finally closing in Boston. “For me, it was important as being one of the ways in which I learned how to integrate entertainment into a musical presentation in a comfortable way.” Later, Byron continued acting on an episode of the Young Indiana Jones Chronicles television series.
In 1989, Byron Stripling first played with the Boston Pops Orchestra. “I had the opportunity to appear on the Boston Pops television show when it was conducted by John Williams. That has since led to a great deal of work with pops orchestras.” Byron developed several different shows that he performs with orchestras and so far he has appeared with over 50 different symphony and pops orchestras including the Boston Pops under the direction of Keith Lockhart and John Williams, the Pittsburgh Symphony, Detroit Symphony, Seattle Symphony, Baltimore Symphony, Minnesota Orchestra, National Symphony, St. Louis Symphony, Vancouver Symphony, Utah Symphony and the Toronto Symphony. Byron has also performed with the Lincoln Center Jazz Orchestra, the Carnegie Hall Jazz Band and the GRP All Star Big Band, he has worked in the studios, and his trumpet has been heard on numerous soundtracks of films and Broadway shows. A few years ago he was featured at the Monterey Jazz Festival with Dave Brubeck.
In 2002, Byron Stripling became the artistic director and conductor of the Columbus Jazz Orchestra. He had performed previously with the Columbus Jazz Orchestra and, when the founder left after 30 years, Byron was the logical person to become his successor. “The Columbus Jazz Orchestra is an incredible organization that performs over 50 concerts a year in a beautiful concert hall. I take care of the programming, decide who the guest artists will be, come up with the concept, balance the artistic and the commercial, and work on any aspects of production that need help.” Byron has presented such guest artists as Branford Marsalis, Chuck Mangione, Patti Austin, John Pizzarelli, Mavis Staples, Melba Moore and Wycliffe Gordon but remains the orchestra's biggest draw. His performances are full of remarkable musicianship, wit, showmanship, and a joyous spirit.
While the Columbus Jazz Orchestra, which recently recorded The Colors Of Jazz, takes up a portion of Byron Stripling's time, he also makes many guest appearances with pops orchestras, conducts occasional clinics and seminars at colleges and high schools, and tours extensively with his own quartet. Byron gets more of an opportunity to stretch out in the latter setting, making appearances at many festivals and clubs. He has recorded as a leader (Stripling Now, Trumpetblowingly Yours, and Byron, Get One Free) and is well featured with the New York All Stars on the CDs We Love You, Louis and Play More Music Of Louis Armstrong. Byron can also be heard on CDs with Tony Bennett, Natalie Cole, Lena Horne, Sonny Rollins, Paquito D'Rivera, Gerry Mulligan, J.J. Johnson, Carla Bley, Jim Hall, Jack McDuff, Freddie Cole, Carol Sloane Benny Green, the Joe Henderson Big Band, the Count Basie Orchestra, the GRP All-Star Band, The Carnegie Hall Jazz Band and numerous Broadway Cast Albums.
For the future, Byron Stripling says, “I want to keep improving my ability to communicate musically to an audience, putting all of my influences and interests together while having the results be natural. There are always infinite possibilities in music.” One of the giants of the trumpet and an irresistible entertainer, Byron Stripling is always well worth seeing and hearing. One looks forward to his future accomplishments.